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Genre(s): Crime and Mystery,Thriller
Run Time: 89min.
Theatrical Release Date:
10/26/2012
Director(s): Luis Prieto
Starring: Richard Coyle , Agyness Deyn , Bronson Webb

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In this explosive race-against-the-clock thriller, a drug dealer's life is on the line when a botched deal lands him in clutches of a ruthless crime lord.
Based on the visionary trilogy by Nicolas Winding Refn ("Drive"). 'Pusher' stars Richard Coyle as a drug dealer who grows increasingly desperate over the course of a week after a botched deal lands him in the merciless clutches of a ruthless crime lord. The more desperate his behavior, the more isolated he becomes until there is nothing left standing between him and the bullet his debtors intend to fire his way.

The characters of the moiv speak the primary language of their respective cities. Both films share the same strengths, and Refn’s Pusher is a solid crime flick that takes a lean, gritty premise that runs its protagonist ragged. Prieto doesn’t add anything to the formula, but his mixture still works thanks to the aggressive direction, a strong central performance, and tense pacing.

Frank (Richard Coyle) is a cocky drug dealer who always plays it cool even when he’s fighting or partying. He’s slightly in debt into his supplier, Milo (Zlatko Buric, reprising his role from the original film), but Frank has a line on a big deal that will cover his debt and then some. But in the middle of the deal, the cops bust in, and Frank has to ditch the package. The cops can’t charge him for lack of evidence, but now he doesn’t have Milo’s drugs or his money, and he owes the ruthless gangster £55,000. Frank must then go on a frantic hunt for the money and betray almost every one he knows in order to stay alive.
Pusher is a sharp little movie in how it moves a crime film’s periphery character—the poor schmuck who owes a debt he’ll never be able to repay—and puts him front and center. From there, we see a character completely unravel to where he’s forced to look inside himself only to discover nothing is there. He beats his friend half to death, and ignores the love of his girlfriend, Flo (Agyness Deyn). Survival, when put first, reduces men to beasts, and Pusher effectively captures that by throwing the world into chaos through booming techno music and schizophrenic cinematography.

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